Kinkarakami

The Essence of Japanese Craftwork

 

Kinkarakami dates back to the Meiji Era in 1870's. It was originated in Europe of the 17th century. Thin pieces of calf or goat hide pasted to metal foil are pressed into patterns and varnished and painted. It decorated the walls and ceilings of palaces and temples in Europe. Japanese craftsmen developed this using Japanese paper instead of hide. The production reached its peak around 1898 since it was introduced at the Vinenna Exhibition in 1873. Export expanded. However, mass production at low cost resulted in poor quanlity and stale designs, and by 1962 the Kinkarakami industry disappeared completely. 

 

In 1983, Takashi Ueda (上田尚) who was impressed by the elaborately carved wood rollers in the Paper Museum in Tokyo, quit his job and dedicated himself to the reproduction of Kinkarakami. He has finished restoring and reproducing all the Kinkarakami wallpapers throughout Japan. Takashi, an elected quasi national treasure, now has a young successor to hand down his skill to.

 

 

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After the war in 1945 until 1956, the official residence of the Commander-in-Chief of the Kure Naval Base, later designated as Important Cultural Asset, at Irifuneyama Park, had been used by Commanders-in-Chief of the British Commonwealth Occupation Forces. The house was remodeled to their taste and painted white all over. However, in 1991, during the restoration of the residence at the Irifuneyama Park, what appeared under the white paint was the wall covered with Kinkarakami with the hallmark of "Made in Japan" stamped on it. With the great help of Mr Ueda, the time-honored Kinkarakami was revived on the walls and ceiling and the house was beautifully restored into its original state. 

 

 

#95 Parkway Vol.14 No.4 October - December 2000

 

#127 Parkway Vol.23 No.1 January - March 2009

金唐紙

日本の工芸品の真髄

 

金唐紙は1870年代の明治時代にさかのぼる。17世紀のヨーロッパ発祥で、金箔を貼った子牛やヤギの薄い皮革を版木に打ち込んだあと、ニスを塗り、彩色したもので、ヨーロッパの宮殿や寺院の壁や天井の装飾として使われた。そして、日本の職人が、皮革の代わりに和紙を使って開発した。 1873年ウィーン博で紹介され、1898年頃に生産のピークを迎える。輸出は拡大したが、低コストでの大量生により、品質は落ち、デザインも陳腐になり、1962年までには金唐紙産業は完全に消滅した。

 

1983年、上田尚氏は、東京の紙博物館で精巧に彫られた版木棒に感銘を受け、仕事をやめ、金唐紙の復元に専念した。日本全国の金唐紙の壁紙の復元と複製を手がけ、完成させた。上田氏は人間国宝に選ばれ、現在、若手の後継者に技術を引き継いでいる。

 

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戦後1945年から1956年まで、入船山公園の鎮守府司令長官官舎(後に重要文化財に指定)は、英連邦軍占領軍司令官が使用していた。官舎は占領軍の好みに合わせて改修され、壁もすべて白く塗られた。1991年、入船山官舎の復元作業中、白ペンキの下から「日本製」という印のついた金唐紙で覆われた壁が現れた。上田氏の援助の元、由緒ある金唐紙の壁と天井が生き返り、官舎は昔のままの美しい姿を取り戻している。